Three years ago, I raved about a production of Brief Encounter at the Haymarket Cinema. It also featured a life-size train, projected by camera on to a long curtain (in a brilliant coup de cinema, the flesh-and-blood Trevor Howard character disappeared behind the curtain and turned up on-screen) and I wondered where ambitious, specials-effect theatre might go from there. Now I know. But I was intrigued by a programme note, in which the director, Damian Cruden, spoke dreamily about "creating theatre in an industrial space," and about an event he saw in Glasgow, where a whole ship was built and launched before the audience's eyes. Blimey. Stand by for the NT's (not too short-lived, I hope) floating production of Titanic.
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